Wednesday, 30 June 2010
From The Recesses Of The Mind This Month
If I was going to tell the story of the first decade of the 21st Century (aka the noughties) to a distant future generation, I’d use South Park. It’s a neat, concise DVD collection of our recent history, perfectly packaged to fit into any time capsule. Hang on, you say, it’s not history it’s a cartoon! Well, consider this. Politicians, dictators, historians, religious prophets and the media have always tried to skew history in their favour or rewrite it, and a recent trip to see the British Museum’s Babylon: Myth and Reality exhibition proved that they’ve been doing this for centuries.
Most of us think of Babylon as this evil place or a ‘city of sin’, which eventually suffered an apocalyptic downfall, as portrayed in fantastic stories and awe-inspiring images in paintings, such as those of the Tower of Babel. We’ve got most of these porkie pies about Babylon from the Old Testament, which was humankind’s history book up until fairly recently. The main reason for all the lies is because the Jews were pretty ticked off with the Babylonians and particularly King Neduchadnezzar, because he captured Jerusalem, destroyed it and deported its elite to Babylon. So the religious prophets had an axe to grind, and painted the city as this evil, downright dirty place, representing the antichrist and despicable side of all humanity. And this we accepted as the truth until archaeologists dug up the reality and discovered that Babylon was a centre of learning from which we inherited the division of time into minutes and hours, the zodiac and useful knowledge of constellations. But a large percentage of people still believe the myths of the Old Testament.
So what’s South Park got to do with all this, I hear you ask? Well, let’s start by comparing its stories to those of the Old Testament. Both use over-the-top, dramatic narratives that are crude and surreal to capture the audience’s attention and to get their point across. They both criticize society. Yet South Park does it through satire, ridiculing the vices and follies of the whole of humankind. Whereas the Old Testament slanders and maligns to bring certain groups into disrepute, those which don’t tow the Christian line. Although isn’t history about learning from all our mistakes, not just a chosen few?
The Old Testament has its tale of the Whore of Babylon, a figure who’s unmistakably cast as the evil bitch of the earth. She’s described as having a golden cup in her hand that’s full of abominations and the filthiness of her fornication. Well I never. And on her forehead is written, ‘Babylon the Great, the Mother of Harlots and Abominations of the Earth.’ She also gets drunk on the blood of saints. Meanwhile, South Park has the ‘Stupid Spoiled Whore Video Playset’ episode, where Paris Hilton represents the overt sexualisation of society. Her cartoon character wears lewd clothing and constantly coughs up semen, while her new shop, ‘Stupid Spoiled Whore’ encourages the young girls of South Park to emulate their role model, by wearing skimpy outfits and throwing sex parties.
The Whore of Babylon never existed, and is just a Christian allegory of evil, representing the sins of the world. The Stupid Spoiled Whore of South Park on the other hand, although exaggerated for comic effect, it can be argued that she does actually exist.
Then there’s the Old Testament’s story of one of its most hated figures, King Neduchadnezzar, the geezer who captured Jerusalem and deported its elite to Babylon. This conqueror of Jerusalem, according to the religious prophets, got his comeuppance by going mad, becoming a crazed and terrified man, who spent his last days crawling on all fours like an animal and eating grass. In the South Park episode ‘Trapped in the Closet’, the former King of Hollywood Blockbusters, Tom Cruise, is depicted as a fanatical follower of the Church of Scientology and is seen exhibiting insane behaviour, for instance, he locks himself in the toilet when Stan (who he considers to be the reincarnation of L. Ron Hubbard) says his acting’s not really that great.
The Old Testament created a slanderous myth against the reputation of King Neduchadnezzar, as archaeologists have found that it wasn’t him who went mad at all, but the more insignificant King Nabonidus. But again, it can’t be said that South Park’s portrayal of the erstwhile King of Hollywood and Paramount Pictures is entirely inaccurate.
Of course, it’s not just the Old Testament that has attempted to create myths of the past for its own ends. Many leaders have too. Take Saddam Hussein in our recent history. The British Museum’s exhibition shows how he attempted to create an image of himself as the modern day successor to the Babylon Kings, as Babylon was where Iraq is today. He had a painting commissioned in which he’s illustrated as this huge Colossus of Rhodes, standing tall above Babylon’s famous Ishtar Gate. In another, he’s transformed into a heroic warrior, riding a chariot into battle.
In contrast, South Park portrayed him as a whiny-voiced homosexual, who had a love relationship with Satan. Again, you can decide for yourself whether you think that South Park’s interpretation of events is a great deal closer to the truth than Saddam Hussein’s.
The point is (and there is one), that these days it’s harder to tell myth from reality, what with all the media spin, conspiracy theories and political propaganda. We don’t know the truth now about certain events in our recent history, let alone in over two thousand years. So why not have the noughties’ history represented by South Park? Every episode is based on the truth, albeit occasionally a small grain, and its creators Matt Stone and Trey Parker are ‘equal opportunity offenders’. This means they don’t just represent one view, but lampoon all sides of a contentious issue, so in that way it’s pretty objective as far as historical accounts go, and it doesn’t preach. And yes it illustrates the sins of humanity, but also its virtues, as every episode ends with the identification of one of society’s morals in the form of an important lesson from which the young of South Park, that is Stan, Kyle and Butters, are seen to have learnt from.
The reality might never be separated from the myths of our times, but I for one would much rather have South Park as our historical document than, say, Sky News reports or any religion’s interpretation. For one, it’s likely to be more honest, and most importantly, a hell of a lot funnier.
Friday, 28 May 2010
Friday, 28th May, 2010
A tourist’s guide to the Indian jungle.
Some say that Indian society has turned into a jungle since the British left in 1947. It’s a monkey eat monkey world. Well most tourists who stay briefly might not get enough of an insight to find out whether that is true or not, but they shouldn’t be disappointed, as there is a jungle in India that every visitor will discover immediately on arrival. The Indian road. Now there are 5 main species of animal in this jungle – the big 5 - that every traveller should be aware of before coming to India.
Let’s start with the langur monkeys. These are the taxi drivers who work for hotels and are the creatures that most tourists are likely to come across first. They’re the weary traveller’s ‘free transfer’ to and from the airport, and so have to work at all times of the day and night. The problem there is that they aren’t nocturnal and don’t appreciate being woken up in the middle of the night. So be warned if you’ve got an early morning flight to catch. They’re liable to arrive late for a job that’s before 7am, if at all, as they appear to do as they please and all this seems even less acceptable when they turn up looking like they’ve slept in the car anyway. And if the car is their bed, then it’s a logical progression to have the side of the road as the bathroom. Therefore when nature calls, this species of taxi driver will just stop, get out and relieve themselves. They won’t even walk out of view or into the bushes. They’ll just do it right there, in front of you.
The langur monkey driver likes a drink, and has been known to turn up drunk if he’s picking you up after 10pm. At these times, when questioned on whether he’s fit to drive or not, he’ll put a hand on your shoulder, possibly to steady himself, look into one of your four eyes - usually the one in the middle of your nose - and tell you through breath that makes your head spin, that he’s only had a couple, my friend. He gets away with this behaviour because after 10pm, a remote small Indian town, with its dirty handed beggars crowding round you pulling at your t-shirt while dogs on heat encircle you, can be slightly daunting.
Consequently, unless your taxi driver’s lying in the middle of the street, chanting some Hindi song extremely loudly with a bottle of strong homemade Mahua in one hand, and a wine soaked piece of paper with your name scrawled on it in the other, then you’re very likely to get into his car with no complaints just to hightail it out of there as quickly as possible.
What’s characteristic about this type of monkey is that it has big balls. So even after he’s turned up drunk to pick you up, don’t be surprised if he tries to get you to hire him for the day with the promise of taking you round all the sights at a very cheap price.
The taxi drivers that swing from street to street waiting for tourists to hire them are the macaques of the road jungle. Be careful around these mammals because they’re known for their nasty bite. This can come in the form of an extortionate price that you need to haggle down to an eighth of the one they’re suggesting. Or fleas. These fleas jump out from the clothes of the gentleman sleeping in the back of their cab, who they shoo out when they get a job. Another reason to be wary around the macaque taxi driver is that he isn’t afraid to f*** you up the ass. Be prepared to resist his price of 5,000 rupees for taking you 5 minutes down the road.
What’s particular to this species is that they’ve learnt English, and use their bilingual skills to emotionally blackmail you into giving them a big tip. They’ll look at you sadly with their big brown eyes and tell you how little money they receive as a macaque taxi driver, yet need to feed their family of 6 children, 1 wife and 2 mothers. Their rehearsed conversation usually starts with a ‘So which country are you from?’ knowing full well that you’re, English, American or Australian. When you answer, ‘England, London’, they pounce on you and chatter excitedly about how rich a ‘country’ London is.
Higher up the food chain are the drivers of the air-conditioned people carriers that you can book through the many local and independent Indian travel agents online. They’re the ones who take you miles and miles across the Indian highways, up-down-and-almost-sideways, and no-ways, to reach remote places that haven’t been made part of the railway network yet. These are the tigers. Majestic at the wheel and unfazed by anything, the tiger makes light work of the harshest terrain on the planet, that is, the Indian road. He’s the king of it, devouring anything that gets in his way and deftly avoiding danger such as potholes, sliding into ditches and unexplained traffic jams.
He’s quietly aggressive when the road becomes menacing, never emitting as much as a low growl when faced with a fallen down bridge or an oncoming lorry on a single lane of tarmac, tyre puncturing rocks and stones on either side. He remains totally focused on the road ahead, his eyes fixed, shining in the dark. This means he never speaks or makes conversation, but doesn’t mind listening to a bit of music - as long as it’s Hindi. In fact, this species of driver doesn’t speak much English at all, yet curiously, when driving through the bandit country of Bihar, he’ll surprise you with the well-spoken command of ‘Lock your doors.’ So although in the wussy-powered people-carrier there may be no tiger in the tank, there’s definitely one behind the wheel.
Now we come to the most infamous inhabitant of the Indian road jungle. The tuk tuk driver. He’s the hyena, hanging out in a pack, scavenging for tourists around every station, sight and ‘5 star’ hotel. Or simply curb crawling down the street after you. He has no shame, and uses this to his advantage when telling you his price to take you to B, which is in fact, only a few metres away. But because he drives around the block a couple of times before dropping you off, you’re none the wiser and pay him his laughable price. Therefore before taking a ride with one of these hyenas, make sure you’ve got a map with you indicating how far away B actually is. Although on the positive side, he’s a bit of a coward, and when challenged he’ll completely back down and take you where you want to go for practically nothing.
He loves to talk about himself and emits a high-pitched laugh at most things he says, if only to ingratiate himself to you. Always foraging for a tip, he’ll almost kill himself and you to get a good one. So never say you’re in a hurry to get to the station, because he really will put his foot down on that accelerator with a haunting laugh that you’ll never forget, if you get to live to remember it.
Then, at the bottom of the food chain and budget scale is the bicycle rickshaw driver. He’s the buffalo of the road jungle, but doesn’t look like one at first glance. No, his appearance is more of a scrawny, fragile gazelle. This means when he tries to undercut the tuk tuk guy with his, ‘I’ll take you all for 3 rupees!’ you look at his staring, vacant eyes with pity and politely decline. Yet when you see one pulling three obese Americans and all their oversized luggage up the hill without breaking a sweat, you gain a great deal of respect for this humble creature.
So remember to have your wits about you as soon as you leave the airport, as the Indian road jungle is awaiting you, with all its weird and wonderful creatures, who’ll try and tear as much flesh off you as possible, so they gain enough energy to get the hell out of there themselves.
Tuesday, 25 May 2010
From The Recesses Of The Mind This Month
Thursday, 29 April 2010
Saturday, 24th April, 2010
From The Recesses Of The Mind This Month
Friday, May 22nd, 2009
The etiquette here is one of respect for your neighbour. Make sure they have enough elbowroom, no big fat heads are blocking the view, and that generally all the spectators are comfortable and happy. The gentleman next to me lit up a cigarette before quickly turning to me and asking if I minded him smoking. I couldn’t remember the last time I’d been among such a civilised audience.
And then the bull came charging into the arena. All the courteous chitchat that had been gracing the bullring’s refined architecture, stopped. In its place were the more primitive, ‘Oooohs and Aaaahhhs!’ I felt the hairs on the back of my neck stand on end. A nauseous excitement made my stomach lurch. Suddenly I realised that those sophisticated snacks were going to look a lot less refined the second time round.
Meanwhile, the bull was being taunted by the shocking-pink capes of the matador’s little helpers (or banderilleros), which curiously left most of the audience looking a little bored, as if it was the bit in the film where you usually nip to the loo. But there’s no way of escaping to the toilet during a bullfight, because you’re hemmed in on all sides by the Sea of Sartorial Politeness. To flee would require at least 46 ‘perdons’, and it wouldn’t exactly be in keeping with the required manners of the bullfight audience, one of which is to make sure your neighbours have a good view at all times. I suddenly realised that this courtesy, worn on the sleeve of the spectators, had lulled me into a false sense of security. I was going to be forced to stay until the death.
I hoped it would come quickly, as the bull was speared and stabbed repeatedly, first by a man in the advantageous position of being atop a horse heavily padded for protection, and then by the matador’s little helpers. Dasher, Dancer and Prancer skipped up to the bull before deftly planting brightly coloured barbed sticks into its back, which looked like Christmas candy canes. Sickly sweet. They darted off when the bull had time to react, aiming its horns in their direction. Ripples of enjoyment spread through the Sea of Sartorial Politeness, as the bull’s diverging Stream of Brave Blood began bleeding. The lady next to me in the red cardigan with the gold buttons and frill trim jumped up quickly to clap violently.
Now, finally, it was time for the one-on-one. Man adorned with elegant embroidery, beast with the crude cowardice of the candy canes. The matador used the red cape to control the unsuspecting bull gracefully and masterfully, making it look as easy as fooling a kitten. He boldly moved closer and closer to the raging horns. But he’s done this hundreds of times. The same routine, the similar strategy, the inevitable end. It’s an established ritual. Yet the bull gets to do it just the once, so it can only go by its natural instincts. This practised mastery is what the aficionados call ‘art’. Hemingway romantically described it as a ‘wonderful nightmare’.
The Sea of Sartorial Politeness became wild as it gazed at this art. A storm of screams and yobbish yells turned the arena’s architecture ugly. Pulsing veins popped up on necks and temples. I half expected the stripy shirts to rip open causing gold buttons to fly off all around the arena. Beast against beast. But decorum held firm and buttons were kept in place. The matador had the sword in his hand, poised for what is called the ‘moment of truth’, when he plunges the sword into the bull’s neck and cuts the aorta. It does take courage to do, because it’s when he’s head on to the bull, and the bull is at its most wary. But he’s been highly trained, like a slaughterer who knows exactly where to put his knife.
This time though, the matador’s aim is off. It’s not the promised quick, clean kill. So it’s more a ‘moment of half-truths’. A River of Brave Blood gushed from the bull’s head and a wave of delightedness passed over the Sea of Sartorial Politeness. The bull turned away from the matador, its head bowed, and walked into the wall that surrounds the ring. It stayed in the quiet corner for a few minutes, its back to the waiting matador. Apparently its last wish was to die in peace. It then collapsed hard onto the River of Brave Blood’s sandy bed. The audience erupted into aggressive applause, giving the matador a standing ovation. The gentleman next to me turned quickly and asked if I’d enjoyed it. His eyes were consumed by the thrill, mesmerised, as if he was in a trance. He didn’t even wait for my answer, and just assumed that I was as enthralled as him. I realised then that while the bulls are bred to fight, the spectators are bred to cheer the kill. Neither bull nor man can help themselves. Generations of careful breeding has made sure of that.
The same time as the matador had his ‘moment of truth’, I had mine. The reason I was there in the first place was because I wanted to see for myself what some call a ‘barbaric sport’ and others call ‘art’. The fact that a civilised country like Spain still condones bullfighting intrigued me. And you can’t just dismiss hundreds of years of a country’s cultural institution without trying to understand it first. A ritual that’s captivated many writers and artists over the years, from Hemingway to Picasso and more recently the director Almodovar. So in the end, did I understand it, did I connect with it, was I part of this barbaric civility?
Absolutamente no. I just wanted to be sick. My moment of truth was realising that I’ve been bred to abhor killing. Although I did put my feet on the seats in front of me. And I didn’t give a damn if my head was blocking anyone’s view. But I’m proud of that. And I’m proud of my shabby t-shirt and jeans.
Saturday, 23 January 2010
Saturday, January 23rd, 2010
London has been taken over by vampires. Trendy clubs and bars are full of the flawless faces, perfect white teeth and super smooth skin of these creatures who're perpetually 17 years old. It’s like being in a Rihanna cum Pixie Lott cum The Saturdays music video. You see, thanks to this latest onslaught of films and TV shows about vampires, people don’t care anymore that these monsters can actually kill them. Because they’re just so damn sexy. Nobody even cares that they look too underage to drink. So they’re all safe to come out of hiding and mix with us, while humans over 25 get plastic surgery and teeth whitening, as they’re worried about looking too old in comparison. Now whenever I go out, everyone looks scarily like a 17 year-old. I just can’t tell anyone apart anymore.
I didn’t want to be sucked in by all this vampiric lust, so I headed for one of the few remaining old man’s pubs in London. They’re the only places you can be sure that no vampire would want to be seen alive in, since they smell of old people, pork scratchings and piss. It was refreshing to see so many old faces and none of the expressionless and characterless ones that I’d become so used to. The old bloke opposite started talking to me about getting away from it all. That’s what old people do; they talk to strangers. I wasn’t used to it and was surprised and uncomfortable at first, but then found him strangely alluring as he told me tales of a place where you can find sun, sea and seniors all year round. He had a glint in his eye and a faraway look as he spoke of this magic rock in the ocean and when I asked its name, he whispered it softly through his Guinness-soaked whiskers. Madeira.
As soon as I could be, I was away from the land of youth, plastic beauty and vampires, and arrived on the magic rock under the warm smile of the winter sun. And oh, what a sight for sore eyes! It was teaming with hundreds and hundreds of OAPs. The locals’ skin has been stained brown by the sun and their faces given character and warmth by deeper wrinkles than Gordon Ramsey’s grandad’s. Then there were all those toothless grins, or just one front tooth that danced to the rhythm of Madeirense. Or even the silver, eroding teeth with as many smooth undulating curves and monochrome tones as the cliff face in the bay at Camara dos Lobos.
On a visit to that little fishing village, I stopped off at one of the fisherman’s bars on the right hand side of the bay. One old sea dog there emptied pint glass after pint glass while filling my head with fantastical stories about the island. According to him, there are very short, ancient-looking creatures living here that are not actually human. They’re nicknamed os pequeninos (the little ones) by the Madeirans, and were native to the island when Zarco colonized it in 1425. This is contrary to what the guide and history books say, which is that there was no indigenous population when Zarco discovered Madeira.
He described them to me, pointing out their short height (about 4 ft 9 on average) and leather skin that has been dyed a deep, attractive tan colour and upon which a fancy swirling pattern of wrinkles has been gently carved. Far softer, he said, then the famous Madeiran leather, with an exquisite natural patina, grown more beautiful with age and the habits their character has etched onto it. He told me how their skin subtly changes colour throughout the day, as the sun’s light shines strongly and slowly fades. I guessed this tough old fisherman had once been in love with one of these os pequeninos. Then he explained the most interesting thing. Os pequeninos are perpetually 71, and have inspired the human locals to celebrate and embrace their age and maturity.
I wanted to find out more about these magical beings, so the old fisherman pointed me in the direction of Santana in northern Central Madeira. The town’s brightly coloured, tiny triangular houses with thatched roofs (palheiros), which you see all over postcards and fridge magnets of the municipality, were apparently the homes of os pequeninos, or so the old sea dog said. Although the guide books talk about them being the traditional homes of the humble farmers in the area, which have now either been knocked down, preserved for tourism or just used as storage places by today’s farmers.
I headed to Santana along, around, up and down the steep, windy roads that seemed only big enough for small people, I noted. When I arrived, I was disappointed by the lack of these palheiros. There were only a few left and the ones you can see on all the postcards were in a sort of small-scale Disneyland that cost 10 euros to get into. Although it’s still worth taking the trip to Santana, as the journey there and back from Funchal is so picturesque, especially looking down the cliff onto the seaside town of Ponta Delgada.
I bought a postcard from one of the palheiros that’d been turned into a gift shop and stopped off at a local café for something to drink. An albino dog eyed me curiously as I thought about where I could find these os pequeninos. He seemed to respond to my thoughts with the prick of an ear or the raise of an eyebrow and I began to think he could read my mind. That’s when he put his head on his paws and closed his eyes.
The owner of the café came out to give me my coffee. She caught sight of my postcard of the palheiros and enthusiastically began to tell me in pretty good English, the story about how one day, they were all abandoned at once. Os pequeninos suddenly uprooted and moved on out of Santana to go and live in other parts of the island. No one knows why, but they left all their little houses to the farmers. If you look carefully, she went on, you can find them in little communities around Madeira. I asked her if she knew of any particular places they might be, and she mentioned the look-out point at Balcoes by the Ribeira Frio.
The best way to get to this look-out point is to walk along by the levada. These levadas criss-cross Madeira, creating an irrigation system of concrete mini-canals cut into the rock that distribute water from the wet regions in the north to the drier ones in the south. Now though, they’re used just as much by tourists for hiking trails as they are by farmers. The levada walk to Balcoes, inaccessible to cars, is a relatively short and tame one, as it only takes an hour or so. And you have a beautiful view to keep you company of green, verdant mountains that turn to blue in the distance, framed by the branches of trees that form a canopy above the levada. Slow and still up above, with the river rushing wildly below.
Eventually, I came across a little café overlooking the valley. Inside, a woman was cooking sardines. I held up my postcard of the palheiros, as she didn’t speak much English. She smiled her one-toothed grin and inexplicably pointed at the sardines and then down into the valley where there was a cluster of houses. I made my way down into it, not really knowing where I was going and became aware of an eerie wailing sound. It scared me at first, but as the sun continued as brightly and warmly as ever, the sound seemed to turn into more of a soothing singing voice.
I passed a few houses with their doors shut, and then spotted a woman sitting in front of hers. She was knitting, even though the sun was shining in December and she was small and stout, yet had hands like shovels. They looked like they could dig deep down into the earth. But as she knitted, they moved nimbly and delicately. And she had the oldest but most beautiful skin I’d ever seen. But what struck me more were her warm, sparkling eyes set into her wrinkly leather skin like black diamonds. I thought she must be one of the os pequeninos. Her eyes greeted me as I approached, with a calmness that made me confident enough to say hello. She spoke back to me in perfect English, like the young Madeirans who learn it at school from an early age.
I asked her what she was knitting; it looked like a tiny colourful hat. She told me it was a tiny hat. Who was it for? I asked, interested, and she replied that it was for the Freira. On seeing my expression, she threw her head back and laughed before pointing at the birds circling above. I looked at them and realised that the strange wailing sound was coming from them. It gets cold in the mountains, she added, by way of explanation. And they’re also in return for the sardines, she continued, acknowledging my puzzled face. Apparently the Freira catch sardines and bring them to her. She then sells them to people in the village. She also sells them to the people who make Madeiran wine, as they place them on top of the bottles and then sell them onto tourists. She didn’t exactly know why. People do strange things, was all she said about that.
I asked her how she got the Freiras to catch her sardines. She simply replied that she asked them to. So os pequeninos could talk to animals? Not all, she said, only a few, and she listed which ones. The Madeiran Wall lizard, Madeira Pipistrelle, which is a bat, a scabbard fish (so os pequeninos never eat the tasty ubiquitous Madeiran fish), albino dogs (this made me wonder about the small café owner in Santana), goats and chickens, which they also share their houses with, so the chickens share their eggs. She went on to tell me about the island’s famous singing goat owned by one of the os pequeninos, the only animal she’s ever known that has been able to talk in a human’s language. It travels around and through the mountains of Curral des Freiras on its owner’s truck, its singing voice amplified through a massive loudspeaker strapped to the front. She told me to go up and see the view, and I’d probably be able to spot the truck winding its way around the mountain.
Later, I found out that Freiras are in fact, very rare birds, and you don’t often get to see them at all, let alone near Balcoes. They’re mostly seen in Pico do Ariero, a nearby mountain range. I also discovered that the reason these birds are called Freira (nun, in English) is because they emit calls that sound like ghostly wails, and for many years these sounds were interpreted by the inhabitants of Curral das Freiras (Nun's Valley) as being the calls of the suffering souls of the nuns who’d fled there to escape the spate of pirate attacks on Funchal in 1566.
There was another amazing view at Curral des Freiras, with luscious green mountains all around, stretching themselves out to sleep for as far as the eye could see, surrounding you in a stillness and quietness that you just wanted to breathe in so it’d become part of you. And then I heard it. A deep, low voice that rumbled up from the base of the valley, echoing off the sides of the mountains, as if they were throwing it back into the air. Then I saw the truck as it wound up the steep road. A small white one, with a large loudspeaker on the front above the windscreen. The voice was melancholy yet soothing. You couldn’t hear any words exactly, but you could tell there were some. It was so slow and deep, it sounded like a record being played at the wrong speed. It brought on a soft sadness at the same time as a bracing exhilaration.
In the evening on my last night, I decided to go for a drink in Funchal. I headed for Rua da Praia near the Old Town, the street the old fisherman had recommended, where all the bars were full of locals and, sometimes, os pequeninos. Places that felt comfortable with a slow pace of life and old age. I sat at a table outside with my pint of lager and free peanuts, and thought about Madeira’s history and its ability to adapt to survive. How its biggest export used to be sugar, but when the Caribbean started exporting it more cheaply, it had to change and became a successful wine producer instead. And then when the vineyards perished due to disease, it had to be resourceful again. This time it played on its climate of warm sunshine all year round and low humidity to sell itself as a recuperative destination for rich people getting over diseases like TB. Yet medicines have improved along with transport, and farther away places are now easier to reach for a bit of winter sun, and they're also cheaper as they don’t have the euro.
I wandered on to have something to eat at Jaquet down Rua de Santa Maria in Funchal’s Old Town. The old fisherman had told me it served the best scabbard fish in the area. After the jolly owner had taken my order, I began to think about how Madeira should sell itself now in order to survive. And to me, it’s simple. What sets it apart, is that it’s a place where you can escape the culture of youth. It's mostly older tourists who go there, and the island appears to have an aging population. I watched the crowd in the restaurant, a mixture of middle-aged, old and very old, chattering and joking with each other across the tables. The sizzling atmosphere wasn’t just from the fish frying in the pans. I felt like I was in a local’s home at Christmas, with their grans and grandads. Everyone here really does embrace their age and aren’t ashamed of it at all. Visit Madeira and for a week or two at least, you can have a holiday from feeling bad about growing old. And these days, that means anyone over 30. So even though you might not actually see any os pequeninos, you certainly won’t find any of those plastic vampires here.










